Trasparenza Atti di concessione Dipartimenti

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Per gli atti di concessione di sovvenzioni, contributi e vantaggi economici di qualunque genere gestiti dai Dipartimenti si rinvia alla pagina Amministrazione trasparente - sezione “Sovvenzioni, contributi, sussidi, vantaggi economici” di ciascun Dipartimento:

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Per gli atti di concessione di sovvenzioni, contributi e vantaggi economici di qualunque genere gestiti dai Dipartimenti si rinvia alla pagina Amministrazione trasparente - sezione “Sovvenzioni, contributi, sussidi, vantaggi economici” di ciascun Dipartimento:

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Per gli atti di concessione di sovvenzioni, contributi e vantaggi economici di qualunque genere gestiti dai Dipartimenti si rinvia alla pagina Amministrazione trasparente - sezione “Sovvenzioni, contributi, sussidi, vantaggi economici” di ciascun Dipartimento:

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Per gli atti di concessione di sovvenzioni, contributi e vantaggi economici di qualunque genere gestiti dai Dipartimenti si rinvia alla pagina Amministrazione trasparente - sezione “Sovvenzioni, contributi, sussidi, vantaggi economici” di ciascun Dipartimento:

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Per gli atti di concessione di sovvenzioni, contributi e vantaggi economici di qualunque genere gestiti dai Dipartimenti si rinvia alla pagina Amministrazione trasparente - sezione “Sovvenzioni, contributi, sussidi, vantaggi economici” di ciascun Dipartimento:

[summary] => [format] => 2 [safe_value] =>

Per gli atti di concessione di sovvenzioni, contributi e vantaggi economici di qualunque genere gestiti dai Dipartimenti si rinvia alla pagina Amministrazione trasparente - sezione “Sovvenzioni, contributi, sussidi, vantaggi economici” di ciascun Dipartimento:

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Per gli atti di concessione di sovvenzioni, contributi e vantaggi economici di qualunque genere gestiti dai Dipartimenti si rinvia alla pagina Amministrazione trasparente - sezione “Sovvenzioni, contributi, sussidi, vantaggi economici” di ciascun Dipartimento:

[summary] => [format] => 2 [safe_value] =>

Per gli atti di concessione di sovvenzioni, contributi e vantaggi economici di qualunque genere gestiti dai Dipartimenti si rinvia alla pagina Amministrazione trasparente - sezione “Sovvenzioni, contributi, sussidi, vantaggi economici” di ciascun Dipartimento:

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Al via la digitalizzazione di circa settecentomila campioni dell'erbario di Padova

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Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.
In questo ambito si inserisce il progetto di digitalizzazione dell'erbario di Padova che, proprio in questi giorni, organizzato con cura in scatole numerate, ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale.
Gli erbari sono veri e propri archivi di biodiversità, frutto di ricerche ed esplorazioni scientifiche condotte nel corso dei secoli da scienziate e scienziati, storici o persone appassionate di tutto il mondo. Ancora oggi, queste collezioni naturalistiche rappresentano un riferimento indispensabile per comprendere la ricchezza, la varietà e le trasformazioni del pianeta. 

«Si tratta di un progetto di ampia portata che per la prima volta valorizza in maniera sinergica le collezioni d’erbario italiane, con l’obiettivo di renderle disponibili e farle conoscere a un pubblico più vasto - spiega Elena Canadelli, docente all’Università di Padova, responsabile del Museo botanico Unipd e responsabile scientifica del progetto nazionale di digitalizzazione massiva dello Spoke 7, condotto grazie alla collaborazione con l’Università di Firenze -. Con un finanziamento di 7 milioni di euro è stata avviata la digitalizzazione massiva di 4 milioni e 200mila campioni (settecentomila dell'erbario di Padova), partendo dall'Erbario Centrale Italiano di Firenze (la conclusione del progetto nazionale è prevista per la fine di agosto 2025)». 

Attraverso l'utilizzo di tecniche avanzate, per acquisire l'immagine dei campioni senza alterarne lo stato di conservazione, l’intervento prevede il posizionamento dei fogli d’erbario su alcuni rulli: una volta sistemati, questi vengono fotografati e infine descritti registrando i contenuti di biodiversità presenti nelle etichette, che rivelano luogo di raccolta, data e nome scientifico di ogni esemplare.

«I dati di biodiversità del passato vengono così messi a disposizione della ricerca scientifica attuale: i fogli di erbario escono dagli armadi per raggiungere ogni parte del mondo - commenta Canadelli -. Il lavoro sull’erbario patavino durerà un paio di mesi, al termine dei quali la collezione tornerà all'Orto Botanico di Padova per essere ricollocata nei grandi armadi della sede storica, temporaneamente svuotati proprio per poter realizzare il progetto, che riunisce esemplari essiccati a partire dalla fine del Settecento fino ai giorni nostri. Una selezione è esposta anche nella Galleria degli Erbari del Museo Botanico.»

Nato nel 1835, grazie a un primo nucleo donato da Giuseppe Antonio Bonato, allora Prefetto dell’Orto, nel tempo, l’Erbario dell’Università di Padova si è arricchito grazie a donazioni e acquisti. Oggi si stima custodisca circa 700.000 campioni tra piante, funghi, alghe e galle che raccontano la biodiversità italiana e del resto del mondo.

La collezione di Padova conserva campioni raccolti da illustri botanici come Augusto Béguinot, Roberto de Visiani, Adriano Fiori, Achille Forti e Pier Andrea Saccardo, da semplici appassionati come Wilhelm Pfaff e, ancora, da figure note in ambiti diversi da quelli botanici, tra questi Luigi Tibertelli, conosciuto come Filippo de Pisis, pittore ferrarese della prima metà del Novecento che donò a Padova le sue raccolte.

 

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Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.
In questo ambito si inserisce il progetto di digitalizzazione dell'erbario di Padova che, proprio in questi giorni, organizzato con cura in scatole numerate, ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale.
Gli erbari sono veri e propri archivi di biodiversità, frutto di ricerche ed esplorazioni scientifiche condotte nel corso dei secoli da scienziate e scienziati, storici o persone appassionate di tutto il mondo. Ancora oggi, queste collezioni naturalistiche rappresentano un riferimento indispensabile per comprendere la ricchezza, la varietà e le trasformazioni del pianeta. 

«Si tratta di un progetto di ampia portata che per la prima volta valorizza in maniera sinergica le collezioni d’erbario italiane, con l’obiettivo di renderle disponibili e farle conoscere a un pubblico più vasto - spiega Elena Canadelli, docente all’Università di Padova, responsabile del Museo botanico Unipd e responsabile scientifica del progetto nazionale di digitalizzazione massiva dello Spoke 7, condotto grazie alla collaborazione con l’Università di Firenze -. Con un finanziamento di 7 milioni di euro è stata avviata la digitalizzazione massiva di 4 milioni e 200mila campioni (settecentomila dell'erbario di Padova), partendo dall'Erbario Centrale Italiano di Firenze (la conclusione del progetto nazionale è prevista per la fine di agosto 2025)». 

Attraverso l'utilizzo di tecniche avanzate, per acquisire l'immagine dei campioni senza alterarne lo stato di conservazione, l’intervento prevede il posizionamento dei fogli d’erbario su alcuni rulli: una volta sistemati, questi vengono fotografati e infine descritti registrando i contenuti di biodiversità presenti nelle etichette, che rivelano luogo di raccolta, data e nome scientifico di ogni esemplare.

«I dati di biodiversità del passato vengono così messi a disposizione della ricerca scientifica attuale: i fogli di erbario escono dagli armadi per raggiungere ogni parte del mondo - commenta Canadelli -. Il lavoro sull’erbario patavino durerà un paio di mesi, al termine dei quali la collezione tornerà all'Orto Botanico di Padova per essere ricollocata nei grandi armadi della sede storica, temporaneamente svuotati proprio per poter realizzare il progetto, che riunisce esemplari essiccati a partire dalla fine del Settecento fino ai giorni nostri. Una selezione è esposta anche nella Galleria degli Erbari del Museo Botanico.»

Nato nel 1835, grazie a un primo nucleo donato da Giuseppe Antonio Bonato, allora Prefetto dell’Orto, nel tempo, l’Erbario dell’Università di Padova si è arricchito grazie a donazioni e acquisti. Oggi si stima custodisca circa 700.000 campioni tra piante, funghi, alghe e galle che raccontano la biodiversità italiana e del resto del mondo.

La collezione di Padova conserva campioni raccolti da illustri botanici come Augusto Béguinot, Roberto de Visiani, Adriano Fiori, Achille Forti e Pier Andrea Saccardo, da semplici appassionati come Wilhelm Pfaff e, ancora, da figure note in ambiti diversi da quelli botanici, tra questi Luigi Tibertelli, conosciuto come Filippo de Pisis, pittore ferrarese della prima metà del Novecento che donò a Padova le sue raccolte.

 

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Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.
In questo ambito si inserisce il progetto di digitalizzazione dell'erbario di Padova che, proprio in questi giorni, organizzato con cura in scatole numerate, ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale.
Gli erbari sono veri e propri archivi di biodiversità, frutto di ricerche ed esplorazioni scientifiche condotte nel corso dei secoli da scienziate e scienziati, storici o persone appassionate di tutto il mondo. Ancora oggi, queste collezioni naturalistiche rappresentano un riferimento indispensabile per comprendere la ricchezza, la varietà e le trasformazioni del pianeta. 

«Si tratta di un progetto di ampia portata che per la prima volta valorizza in maniera sinergica le collezioni d’erbario italiane, con l’obiettivo di renderle disponibili e farle conoscere a un pubblico più vasto - spiega Elena Canadelli, docente all’Università di Padova, responsabile del Museo botanico Unipd e responsabile scientifica del progetto nazionale di digitalizzazione massiva dello Spoke 7, condotto grazie alla collaborazione con l’Università di Firenze -. Con un finanziamento di 7 milioni di euro è stata avviata la digitalizzazione massiva di 4 milioni e 200mila campioni (settecentomila dell'erbario di Padova), partendo dall'Erbario Centrale Italiano di Firenze (la conclusione del progetto nazionale è prevista per la fine di agosto 2025)». 

Attraverso l'utilizzo di tecniche avanzate, per acquisire l'immagine dei campioni senza alterarne lo stato di conservazione, l’intervento prevede il posizionamento dei fogli d’erbario su alcuni rulli: una volta sistemati, questi vengono fotografati e infine descritti registrando i contenuti di biodiversità presenti nelle etichette, che rivelano luogo di raccolta, data e nome scientifico di ogni esemplare.

«I dati di biodiversità del passato vengono così messi a disposizione della ricerca scientifica attuale: i fogli di erbario escono dagli armadi per raggiungere ogni parte del mondo - commenta Canadelli -. Il lavoro sull’erbario patavino durerà un paio di mesi, al termine dei quali la collezione tornerà all'Orto Botanico di Padova per essere ricollocata nei grandi armadi della sede storica, temporaneamente svuotati proprio per poter realizzare il progetto, che riunisce esemplari essiccati a partire dalla fine del Settecento fino ai giorni nostri. Una selezione è esposta anche nella Galleria degli Erbari del Museo Botanico.»

Nato nel 1835, grazie a un primo nucleo donato da Giuseppe Antonio Bonato, allora Prefetto dell’Orto, nel tempo, l’Erbario dell’Università di Padova si è arricchito grazie a donazioni e acquisti. Oggi si stima custodisca circa 700.000 campioni tra piante, funghi, alghe e galle che raccontano la biodiversità italiana e del resto del mondo.

La collezione di Padova conserva campioni raccolti da illustri botanici come Augusto Béguinot, Roberto de Visiani, Adriano Fiori, Achille Forti e Pier Andrea Saccardo, da semplici appassionati come Wilhelm Pfaff e, ancora, da figure note in ambiti diversi da quelli botanici, tra questi Luigi Tibertelli, conosciuto come Filippo de Pisis, pittore ferrarese della prima metà del Novecento che donò a Padova le sue raccolte.

 

[summary] => [format] => 2 [safe_value] =>

Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.
In questo ambito si inserisce il progetto di digitalizzazione dell'erbario di Padova che, proprio in questi giorni, organizzato con cura in scatole numerate, ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale.
Gli erbari sono veri e propri archivi di biodiversità, frutto di ricerche ed esplorazioni scientifiche condotte nel corso dei secoli da scienziate e scienziati, storici o persone appassionate di tutto il mondo. Ancora oggi, queste collezioni naturalistiche rappresentano un riferimento indispensabile per comprendere la ricchezza, la varietà e le trasformazioni del pianeta. 

«Si tratta di un progetto di ampia portata che per la prima volta valorizza in maniera sinergica le collezioni d’erbario italiane, con l’obiettivo di renderle disponibili e farle conoscere a un pubblico più vasto - spiega Elena Canadelli, docente all’Università di Padova, responsabile del Museo botanico Unipd e responsabile scientifica del progetto nazionale di digitalizzazione massiva dello Spoke 7, condotto grazie alla collaborazione con l’Università di Firenze -. Con un finanziamento di 7 milioni di euro è stata avviata la digitalizzazione massiva di 4 milioni e 200mila campioni (settecentomila dell'erbario di Padova), partendo dall'Erbario Centrale Italiano di Firenze (la conclusione del progetto nazionale è prevista per la fine di agosto 2025)». 

Attraverso l'utilizzo di tecniche avanzate, per acquisire l'immagine dei campioni senza alterarne lo stato di conservazione, l’intervento prevede il posizionamento dei fogli d’erbario su alcuni rulli: una volta sistemati, questi vengono fotografati e infine descritti registrando i contenuti di biodiversità presenti nelle etichette, che rivelano luogo di raccolta, data e nome scientifico di ogni esemplare.

«I dati di biodiversità del passato vengono così messi a disposizione della ricerca scientifica attuale: i fogli di erbario escono dagli armadi per raggiungere ogni parte del mondo - commenta Canadelli -. Il lavoro sull’erbario patavino durerà un paio di mesi, al termine dei quali la collezione tornerà all'Orto Botanico di Padova per essere ricollocata nei grandi armadi della sede storica, temporaneamente svuotati proprio per poter realizzare il progetto, che riunisce esemplari essiccati a partire dalla fine del Settecento fino ai giorni nostri. Una selezione è esposta anche nella Galleria degli Erbari del Museo Botanico.»

Nato nel 1835, grazie a un primo nucleo donato da Giuseppe Antonio Bonato, allora Prefetto dell’Orto, nel tempo, l’Erbario dell’Università di Padova si è arricchito grazie a donazioni e acquisti. Oggi si stima custodisca circa 700.000 campioni tra piante, funghi, alghe e galle che raccontano la biodiversità italiana e del resto del mondo.

La collezione di Padova conserva campioni raccolti da illustri botanici come Augusto Béguinot, Roberto de Visiani, Adriano Fiori, Achille Forti e Pier Andrea Saccardo, da semplici appassionati come Wilhelm Pfaff e, ancora, da figure note in ambiti diversi da quelli botanici, tra questi Luigi Tibertelli, conosciuto come Filippo de Pisis, pittore ferrarese della prima metà del Novecento che donò a Padova le sue raccolte.

 

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Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.

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Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.
In questo ambito si inserisce il progetto di digitalizzazione dell'erbario di Padova che, proprio in questi giorni, organizzato con cura in scatole numerate, ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale.
Gli erbari sono veri e propri archivi di biodiversità, frutto di ricerche ed esplorazioni scientifiche condotte nel corso dei secoli da scienziate e scienziati, storici o persone appassionate di tutto il mondo. Ancora oggi, queste collezioni naturalistiche rappresentano un riferimento indispensabile per comprendere la ricchezza, la varietà e le trasformazioni del pianeta. 

«Si tratta di un progetto di ampia portata che per la prima volta valorizza in maniera sinergica le collezioni d’erbario italiane, con l’obiettivo di renderle disponibili e farle conoscere a un pubblico più vasto - spiega Elena Canadelli, docente all’Università di Padova, responsabile del Museo botanico Unipd e responsabile scientifica del progetto nazionale di digitalizzazione massiva dello Spoke 7, condotto grazie alla collaborazione con l’Università di Firenze -. Con un finanziamento di 7 milioni di euro è stata avviata la digitalizzazione massiva di 4 milioni e 200mila campioni (settecentomila dell'erbario di Padova), partendo dall'Erbario Centrale Italiano di Firenze (la conclusione del progetto nazionale è prevista per la fine di agosto 2025)». 

Attraverso l'utilizzo di tecniche avanzate, per acquisire l'immagine dei campioni senza alterarne lo stato di conservazione, l’intervento prevede il posizionamento dei fogli d’erbario su alcuni rulli: una volta sistemati, questi vengono fotografati e infine descritti registrando i contenuti di biodiversità presenti nelle etichette, che rivelano luogo di raccolta, data e nome scientifico di ogni esemplare.

«I dati di biodiversità del passato vengono così messi a disposizione della ricerca scientifica attuale: i fogli di erbario escono dagli armadi per raggiungere ogni parte del mondo - commenta Canadelli -. Il lavoro sull’erbario patavino durerà un paio di mesi, al termine dei quali la collezione tornerà all'Orto Botanico di Padova per essere ricollocata nei grandi armadi della sede storica, temporaneamente svuotati proprio per poter realizzare il progetto, che riunisce esemplari essiccati a partire dalla fine del Settecento fino ai giorni nostri. Una selezione è esposta anche nella Galleria degli Erbari del Museo Botanico.»

Nato nel 1835, grazie a un primo nucleo donato da Giuseppe Antonio Bonato, allora Prefetto dell’Orto, nel tempo, l’Erbario dell’Università di Padova si è arricchito grazie a donazioni e acquisti. Oggi si stima custodisca circa 700.000 campioni tra piante, funghi, alghe e galle che raccontano la biodiversità italiana e del resto del mondo.

La collezione di Padova conserva campioni raccolti da illustri botanici come Augusto Béguinot, Roberto de Visiani, Adriano Fiori, Achille Forti e Pier Andrea Saccardo, da semplici appassionati come Wilhelm Pfaff e, ancora, da figure note in ambiti diversi da quelli botanici, tra questi Luigi Tibertelli, conosciuto come Filippo de Pisis, pittore ferrarese della prima metà del Novecento che donò a Padova le sue raccolte.

 

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Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.
In questo ambito si inserisce il progetto di digitalizzazione dell'erbario di Padova che, proprio in questi giorni, organizzato con cura in scatole numerate, ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale.
Gli erbari sono veri e propri archivi di biodiversità, frutto di ricerche ed esplorazioni scientifiche condotte nel corso dei secoli da scienziate e scienziati, storici o persone appassionate di tutto il mondo. Ancora oggi, queste collezioni naturalistiche rappresentano un riferimento indispensabile per comprendere la ricchezza, la varietà e le trasformazioni del pianeta. 

«Si tratta di un progetto di ampia portata che per la prima volta valorizza in maniera sinergica le collezioni d’erbario italiane, con l’obiettivo di renderle disponibili e farle conoscere a un pubblico più vasto - spiega Elena Canadelli, docente all’Università di Padova, responsabile del Museo botanico Unipd e responsabile scientifica del progetto nazionale di digitalizzazione massiva dello Spoke 7, condotto grazie alla collaborazione con l’Università di Firenze -. Con un finanziamento di 7 milioni di euro è stata avviata la digitalizzazione massiva di 4 milioni e 200mila campioni (settecentomila dell'erbario di Padova), partendo dall'Erbario Centrale Italiano di Firenze (la conclusione del progetto nazionale è prevista per la fine di agosto 2025)». 

Attraverso l'utilizzo di tecniche avanzate, per acquisire l'immagine dei campioni senza alterarne lo stato di conservazione, l’intervento prevede il posizionamento dei fogli d’erbario su alcuni rulli: una volta sistemati, questi vengono fotografati e infine descritti registrando i contenuti di biodiversità presenti nelle etichette, che rivelano luogo di raccolta, data e nome scientifico di ogni esemplare.

«I dati di biodiversità del passato vengono così messi a disposizione della ricerca scientifica attuale: i fogli di erbario escono dagli armadi per raggiungere ogni parte del mondo - commenta Canadelli -. Il lavoro sull’erbario patavino durerà un paio di mesi, al termine dei quali la collezione tornerà all'Orto Botanico di Padova per essere ricollocata nei grandi armadi della sede storica, temporaneamente svuotati proprio per poter realizzare il progetto, che riunisce esemplari essiccati a partire dalla fine del Settecento fino ai giorni nostri. Una selezione è esposta anche nella Galleria degli Erbari del Museo Botanico.»

Nato nel 1835, grazie a un primo nucleo donato da Giuseppe Antonio Bonato, allora Prefetto dell’Orto, nel tempo, l’Erbario dell’Università di Padova si è arricchito grazie a donazioni e acquisti. Oggi si stima custodisca circa 700.000 campioni tra piante, funghi, alghe e galle che raccontano la biodiversità italiana e del resto del mondo.

La collezione di Padova conserva campioni raccolti da illustri botanici come Augusto Béguinot, Roberto de Visiani, Adriano Fiori, Achille Forti e Pier Andrea Saccardo, da semplici appassionati come Wilhelm Pfaff e, ancora, da figure note in ambiti diversi da quelli botanici, tra questi Luigi Tibertelli, conosciuto come Filippo de Pisis, pittore ferrarese della prima metà del Novecento che donò a Padova le sue raccolte.

 

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Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.
In questo ambito si inserisce il progetto di digitalizzazione dell'erbario di Padova che, proprio in questi giorni, organizzato con cura in scatole numerate, ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale.
Gli erbari sono veri e propri archivi di biodiversità, frutto di ricerche ed esplorazioni scientifiche condotte nel corso dei secoli da scienziate e scienziati, storici o persone appassionate di tutto il mondo. Ancora oggi, queste collezioni naturalistiche rappresentano un riferimento indispensabile per comprendere la ricchezza, la varietà e le trasformazioni del pianeta. 

«Si tratta di un progetto di ampia portata che per la prima volta valorizza in maniera sinergica le collezioni d’erbario italiane, con l’obiettivo di renderle disponibili e farle conoscere a un pubblico più vasto - spiega Elena Canadelli, docente all’Università di Padova, responsabile del Museo botanico Unipd e responsabile scientifica del progetto nazionale di digitalizzazione massiva dello Spoke 7, condotto grazie alla collaborazione con l’Università di Firenze -. Con un finanziamento di 7 milioni di euro è stata avviata la digitalizzazione massiva di 4 milioni e 200mila campioni (settecentomila dell'erbario di Padova), partendo dall'Erbario Centrale Italiano di Firenze (la conclusione del progetto nazionale è prevista per la fine di agosto 2025)». 

Attraverso l'utilizzo di tecniche avanzate, per acquisire l'immagine dei campioni senza alterarne lo stato di conservazione, l’intervento prevede il posizionamento dei fogli d’erbario su alcuni rulli: una volta sistemati, questi vengono fotografati e infine descritti registrando i contenuti di biodiversità presenti nelle etichette, che rivelano luogo di raccolta, data e nome scientifico di ogni esemplare.

«I dati di biodiversità del passato vengono così messi a disposizione della ricerca scientifica attuale: i fogli di erbario escono dagli armadi per raggiungere ogni parte del mondo - commenta Canadelli -. Il lavoro sull’erbario patavino durerà un paio di mesi, al termine dei quali la collezione tornerà all'Orto Botanico di Padova per essere ricollocata nei grandi armadi della sede storica, temporaneamente svuotati proprio per poter realizzare il progetto, che riunisce esemplari essiccati a partire dalla fine del Settecento fino ai giorni nostri. Una selezione è esposta anche nella Galleria degli Erbari del Museo Botanico.»

Nato nel 1835, grazie a un primo nucleo donato da Giuseppe Antonio Bonato, allora Prefetto dell’Orto, nel tempo, l’Erbario dell’Università di Padova si è arricchito grazie a donazioni e acquisti. Oggi si stima custodisca circa 700.000 campioni tra piante, funghi, alghe e galle che raccontano la biodiversità italiana e del resto del mondo.

La collezione di Padova conserva campioni raccolti da illustri botanici come Augusto Béguinot, Roberto de Visiani, Adriano Fiori, Achille Forti e Pier Andrea Saccardo, da semplici appassionati come Wilhelm Pfaff e, ancora, da figure note in ambiti diversi da quelli botanici, tra questi Luigi Tibertelli, conosciuto come Filippo de Pisis, pittore ferrarese della prima metà del Novecento che donò a Padova le sue raccolte.

 

[summary] => [format] => 2 [safe_value] =>

Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.
In questo ambito si inserisce il progetto di digitalizzazione dell'erbario di Padova che, proprio in questi giorni, organizzato con cura in scatole numerate, ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale.
Gli erbari sono veri e propri archivi di biodiversità, frutto di ricerche ed esplorazioni scientifiche condotte nel corso dei secoli da scienziate e scienziati, storici o persone appassionate di tutto il mondo. Ancora oggi, queste collezioni naturalistiche rappresentano un riferimento indispensabile per comprendere la ricchezza, la varietà e le trasformazioni del pianeta. 

«Si tratta di un progetto di ampia portata che per la prima volta valorizza in maniera sinergica le collezioni d’erbario italiane, con l’obiettivo di renderle disponibili e farle conoscere a un pubblico più vasto - spiega Elena Canadelli, docente all’Università di Padova, responsabile del Museo botanico Unipd e responsabile scientifica del progetto nazionale di digitalizzazione massiva dello Spoke 7, condotto grazie alla collaborazione con l’Università di Firenze -. Con un finanziamento di 7 milioni di euro è stata avviata la digitalizzazione massiva di 4 milioni e 200mila campioni (settecentomila dell'erbario di Padova), partendo dall'Erbario Centrale Italiano di Firenze (la conclusione del progetto nazionale è prevista per la fine di agosto 2025)». 

Attraverso l'utilizzo di tecniche avanzate, per acquisire l'immagine dei campioni senza alterarne lo stato di conservazione, l’intervento prevede il posizionamento dei fogli d’erbario su alcuni rulli: una volta sistemati, questi vengono fotografati e infine descritti registrando i contenuti di biodiversità presenti nelle etichette, che rivelano luogo di raccolta, data e nome scientifico di ogni esemplare.

«I dati di biodiversità del passato vengono così messi a disposizione della ricerca scientifica attuale: i fogli di erbario escono dagli armadi per raggiungere ogni parte del mondo - commenta Canadelli -. Il lavoro sull’erbario patavino durerà un paio di mesi, al termine dei quali la collezione tornerà all'Orto Botanico di Padova per essere ricollocata nei grandi armadi della sede storica, temporaneamente svuotati proprio per poter realizzare il progetto, che riunisce esemplari essiccati a partire dalla fine del Settecento fino ai giorni nostri. Una selezione è esposta anche nella Galleria degli Erbari del Museo Botanico.»

Nato nel 1835, grazie a un primo nucleo donato da Giuseppe Antonio Bonato, allora Prefetto dell’Orto, nel tempo, l’Erbario dell’Università di Padova si è arricchito grazie a donazioni e acquisti. Oggi si stima custodisca circa 700.000 campioni tra piante, funghi, alghe e galle che raccontano la biodiversità italiana e del resto del mondo.

La collezione di Padova conserva campioni raccolti da illustri botanici come Augusto Béguinot, Roberto de Visiani, Adriano Fiori, Achille Forti e Pier Andrea Saccardo, da semplici appassionati come Wilhelm Pfaff e, ancora, da figure note in ambiti diversi da quelli botanici, tra questi Luigi Tibertelli, conosciuto come Filippo de Pisis, pittore ferrarese della prima metà del Novecento che donò a Padova le sue raccolte.

 

[safe_summary] => ) ) ) [field_date_box_lancio_news] => Array ( [und] => Array ( [0] => Array ( [value] => 2024-11-27T00:00:00 [timezone] => Europe/Paris [timezone_db] => Europe/Paris [date_type] => date ) ) ) [field_etichetta_box_lancio_news] => Array ( ) [field_img_box_lancio_news] => Array ( [und] => Array ( [0] => Array ( [fid] => 135586 [uid] => 2032 [filename] => Copia di digitalizzazione-erbario-2 (1).png [uri] => public://Copia di digitalizzazione-erbario-2 (1)_0.png [filemime] => image/png [filesize] => 2069125 [status] => 1 [timestamp] => 1732715234 [type] => image [field_file_image_alt_text] => Array ( ) [field_file_image_title_text] => Array ( ) [field_folder] => Array ( [und] => Array ( [0] => Array ( [tid] => 2048 ) ) ) [metadata] => Array ( [height] => 1262 [width] => 3792 ) [height] => 1262 [width] => 3792 [alt] => erbario unipd [title] => ) ) ) [field_link_alla_news] => Array ( ) [field_link_esterno_news] => Array ( ) [field_pagina_associata] => Array ( ) [field_link_etichetta] => Array ( ) [field_abstract_news] => Array ( [und] => Array ( [0] => Array ( [value] => Al via in questi giorni, il progetto di digitalizzazione dell'erbario di Padova che ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale [format] => [safe_value] => Al via in questi giorni, il progetto di digitalizzazione dell'erbario di Padova che ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale ) ) ) [field_allegato_news] => Array ( ) [field_categorie_news] => Array ( [und] => Array ( [0] => Array ( [tid] => 2264 ) [1] => Array ( [tid] => 2266 ) [2] => Array ( [tid] => 2267 ) [3] => Array ( [tid] => 2462 ) ) ) [field_pub_date] => Array ( [und] => Array ( [0] => Array ( [value] => 2024-11-27T00:00:00 [value2] => 2025-11-27T00:00:00 [timezone] => Europe/Paris [timezone_db] => Europe/Paris [date_type] => date ) ) ) [field_layout_news] => Array ( [und] => Array ( [0] => Array ( [value] => single ) ) ) [field_testo_opzionale_news] => Array ( ) [field_url_en_page] => Array ( ) [field_url_en_page_label] => Array ( ) [path] => Array ( [pathauto] => 0 ) [name] => francesca.forzan [picture] => 0 [data] => b:0; [num_revisions] => 13 [current_revision_id] => 475005 [is_current] => 1 [is_pending] => [revision_moderation] => [entity_view_prepared] => 1 ) [#items] => Array ( [0] => Array ( [value] => Al via in questi giorni, il progetto di digitalizzazione dell'erbario di Padova che ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale [format] => [safe_value] => Al via in questi giorni, il progetto di digitalizzazione dell'erbario di Padova che ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale ) ) [#formatter] => text_default [0] => Array ( [#markup] => Al via in questi giorni, il progetto di digitalizzazione dell'erbario di Padova che ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale ) ) [links] => Array ( [#theme] => links__node [#pre_render] => Array ( [0] => drupal_pre_render_links ) [#attributes] => Array ( [class] => Array ( [0] => links [1] => inline ) ) [node] => Array ( [#theme] => links__node__node [#links] => Array ( [node-readmore] => Array ( [title] => Read more about Al via la digitalizzazione di circa settecentomila campioni dell'erbario di Padova [href] => node/114665 [html] => 1 [attributes] => Array ( [rel] => tag [title] => Al via la digitalizzazione di circa settecentomila campioni dell'erbario di Padova ) ) ) [#attributes] => Array ( [class] => Array ( [0] => links [1] => inline ) ) ) ) [field_date_box_lancio_news] => Array ( [#theme] => field [#weight] => 1 [#title] => Data [#access] => 1 [#label_display] => above [#view_mode] => teaser [#language] => und [#field_name] => field_date_box_lancio_news [#field_type] => date [#field_translatable] => 0 [#entity_type] => node [#bundle] => box_lancio_news [#object] => stdClass Object ( [vid] => 475005 [uid] => 2032 [title] => Al via la digitalizzazione di circa settecentomila campioni dell'erbario di Padova [log] => [status] => 1 [comment] => 0 [promote] => 1 [sticky] => 0 [nid] => 114665 [type] => box_lancio_news [language] => it [created] => 1732715142 [changed] => 1732871121 [tnid] => 0 [translate] => 0 [revision_timestamp] => 1732871121 [revision_uid] => 2032 [body] => Array ( [und] => Array ( [0] => Array ( [value] =>

Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.
In questo ambito si inserisce il progetto di digitalizzazione dell'erbario di Padova che, proprio in questi giorni, organizzato con cura in scatole numerate, ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale.
Gli erbari sono veri e propri archivi di biodiversità, frutto di ricerche ed esplorazioni scientifiche condotte nel corso dei secoli da scienziate e scienziati, storici o persone appassionate di tutto il mondo. Ancora oggi, queste collezioni naturalistiche rappresentano un riferimento indispensabile per comprendere la ricchezza, la varietà e le trasformazioni del pianeta. 

«Si tratta di un progetto di ampia portata che per la prima volta valorizza in maniera sinergica le collezioni d’erbario italiane, con l’obiettivo di renderle disponibili e farle conoscere a un pubblico più vasto - spiega Elena Canadelli, docente all’Università di Padova, responsabile del Museo botanico Unipd e responsabile scientifica del progetto nazionale di digitalizzazione massiva dello Spoke 7, condotto grazie alla collaborazione con l’Università di Firenze -. Con un finanziamento di 7 milioni di euro è stata avviata la digitalizzazione massiva di 4 milioni e 200mila campioni (settecentomila dell'erbario di Padova), partendo dall'Erbario Centrale Italiano di Firenze (la conclusione del progetto nazionale è prevista per la fine di agosto 2025)». 

Attraverso l'utilizzo di tecniche avanzate, per acquisire l'immagine dei campioni senza alterarne lo stato di conservazione, l’intervento prevede il posizionamento dei fogli d’erbario su alcuni rulli: una volta sistemati, questi vengono fotografati e infine descritti registrando i contenuti di biodiversità presenti nelle etichette, che rivelano luogo di raccolta, data e nome scientifico di ogni esemplare.

«I dati di biodiversità del passato vengono così messi a disposizione della ricerca scientifica attuale: i fogli di erbario escono dagli armadi per raggiungere ogni parte del mondo - commenta Canadelli -. Il lavoro sull’erbario patavino durerà un paio di mesi, al termine dei quali la collezione tornerà all'Orto Botanico di Padova per essere ricollocata nei grandi armadi della sede storica, temporaneamente svuotati proprio per poter realizzare il progetto, che riunisce esemplari essiccati a partire dalla fine del Settecento fino ai giorni nostri. Una selezione è esposta anche nella Galleria degli Erbari del Museo Botanico.»

Nato nel 1835, grazie a un primo nucleo donato da Giuseppe Antonio Bonato, allora Prefetto dell’Orto, nel tempo, l’Erbario dell’Università di Padova si è arricchito grazie a donazioni e acquisti. Oggi si stima custodisca circa 700.000 campioni tra piante, funghi, alghe e galle che raccontano la biodiversità italiana e del resto del mondo.

La collezione di Padova conserva campioni raccolti da illustri botanici come Augusto Béguinot, Roberto de Visiani, Adriano Fiori, Achille Forti e Pier Andrea Saccardo, da semplici appassionati come Wilhelm Pfaff e, ancora, da figure note in ambiti diversi da quelli botanici, tra questi Luigi Tibertelli, conosciuto come Filippo de Pisis, pittore ferrarese della prima metà del Novecento che donò a Padova le sue raccolte.

 

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Nell'ambito del National Biodiversity Future Center (NBFC), primo centro italiano di ricerca sulla biodiversità, l'Università di Padova, insieme alla Sapienza Università di Roma, è capofila dello Spoke 7 dedicato a scienza e società.
In questo ambito si inserisce il progetto di digitalizzazione dell'erbario di Padova che, proprio in questi giorni, organizzato con cura in scatole numerate, ha iniziato a viaggiare per raggiungere gli spazi della sezione botanica del Museo di Storia Naturale dell’Università di Firenze dove verrà fotografato e riprodotto in formato digitale.
Gli erbari sono veri e propri archivi di biodiversità, frutto di ricerche ed esplorazioni scientifiche condotte nel corso dei secoli da scienziate e scienziati, storici o persone appassionate di tutto il mondo. Ancora oggi, queste collezioni naturalistiche rappresentano un riferimento indispensabile per comprendere la ricchezza, la varietà e le trasformazioni del pianeta. 

«Si tratta di un progetto di ampia portata che per la prima volta valorizza in maniera sinergica le collezioni d’erbario italiane, con l’obiettivo di renderle disponibili e farle conoscere a un pubblico più vasto - spiega Elena Canadelli, docente all’Università di Padova, responsabile del Museo botanico Unipd e responsabile scientifica del progetto nazionale di digitalizzazione massiva dello Spoke 7, condotto grazie alla collaborazione con l’Università di Firenze -. Con un finanziamento di 7 milioni di euro è stata avviata la digitalizzazione massiva di 4 milioni e 200mila campioni (settecentomila dell'erbario di Padova), partendo dall'Erbario Centrale Italiano di Firenze (la conclusione del progetto nazionale è prevista per la fine di agosto 2025)». 

Attraverso l'utilizzo di tecniche avanzate, per acquisire l'immagine dei campioni senza alterarne lo stato di conservazione, l’intervento prevede il posizionamento dei fogli d’erbario su alcuni rulli: una volta sistemati, questi vengono fotografati e infine descritti registrando i contenuti di biodiversità presenti nelle etichette, che rivelano luogo di raccolta, data e nome scientifico di ogni esemplare.

«I dati di biodiversità del passato vengono così messi a disposizione della ricerca scientifica attuale: i fogli di erbario escono dagli armadi per raggiungere ogni parte del mondo - commenta Canadelli -. Il lavoro sull’erbario patavino durerà un paio di mesi, al termine dei quali la collezione tornerà all'Orto Botanico di Padova per essere ricollocata nei grandi armadi della sede storica, temporaneamente svuotati proprio per poter realizzare il progetto, che riunisce esemplari essiccati a partire dalla fine del Settecento fino ai giorni nostri. Una selezione è esposta anche nella Galleria degli Erbari del Museo Botanico.»

Nato nel 1835, grazie a un primo nucleo donato da Giuseppe Antonio Bonato, allora Prefetto dell’Orto, nel tempo, l’Erbario dell’Università di Padova si è arricchito grazie a donazioni e acquisti. Oggi si stima custodisca circa 700.000 campioni tra piante, funghi, alghe e galle che raccontano la biodiversità italiana e del resto del mondo.

La collezione di Padova conserva campioni raccolti da illustri botanici come Augusto Béguinot, Roberto de Visiani, Adriano Fiori, Achille Forti e Pier Andrea Saccardo, da semplici appassionati come Wilhelm Pfaff e, ancora, da figure note in ambiti diversi da quelli botanici, tra questi Luigi Tibertelli, conosciuto come Filippo de Pisis, pittore ferrarese della prima metà del Novecento che donò a Padova le sue raccolte.

 

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Riunione del 28 novembre 2024 relazioni sindacali

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Riunione del 15 novembre 2024 relazioni sindacali

Array ( [field_titolo_frontend_all] => Array ( [#theme] => field [#weight] => -4 [#title] => Titolo frontend [#access] => 1 [#label_display] => above [#view_mode] => teaser [#language] => und [#field_name] => field_titolo_frontend_all [#field_type] => text_long [#field_translatable] => 0 [#entity_type] => node [#bundle] => allegato [#object] => stdClass Object ( [vid] => 474688 [uid] => 4 [title] => Riunione del 15 novembre 2024 relazioni sindacali [log] => [status] => 1 [comment] => 0 [promote] => 1 [sticky] => 0 [nid] => 114663 [type] => allegato [language] => it [created] => 1732714263 [changed] => 1732714263 [tnid] => 0 [translate] => 0 [revision_timestamp] => 1732714263 [revision_uid] => 4 [taxonomy_vocabulary_2] => Array ( ) [taxonomy_vocabulary_8] => Array ( ) [body] => Array ( ) [field_titolo_frontend_all] => Array ( [und] => Array ( [0] => Array ( [value] => Riunione del 15 novembre 2024 [format] => [safe_value] => Riunione del 15 novembre 2024 ) ) ) [field_allegato_file] => 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=> field [#weight] => -3 [#title] => File [#access] => 1 [#label_display] => above [#view_mode] => teaser [#language] => und [#field_name] => field_allegato_file [#field_type] => file [#field_translatable] => 0 [#entity_type] => node [#bundle] => allegato [#object] => stdClass Object ( [vid] => 474688 [uid] => 4 [title] => Riunione del 15 novembre 2024 relazioni sindacali [log] => [status] => 1 [comment] => 0 [promote] => 1 [sticky] => 0 [nid] => 114663 [type] => allegato [language] => it [created] => 1732714263 [changed] => 1732714263 [tnid] => 0 [translate] => 0 [revision_timestamp] => 1732714263 [revision_uid] => 4 [taxonomy_vocabulary_2] => Array ( ) [taxonomy_vocabulary_8] => Array ( ) [body] => Array ( ) [field_titolo_frontend_all] => Array ( [und] => Array ( [0] => Array ( [value] => Riunione del 15 novembre 2024 [format] => [safe_value] => Riunione del 15 novembre 2024 ) ) ) [field_allegato_file] => Array ( [und] => Array ( [0] => Array ( [fid] => 135582 [uid] => 4 [filename] => convocazione 15 novembre 2024.pdf [uri] => public://2024/convocazione 15 novembre 2024.pdf [filemime] => application/pdf [filesize] => 337988 [status] => 1 [timestamp] => 1732714290 [type] => document [field_folder] => Array ( [und] => Array ( [0] => Array ( [tid] => 2614 ) ) ) [metadata] => Array ( ) [display] => 1 [description] => ) ) ) [name] => simonetta.capparotto [picture] => 0 [data] => a:2:{s:13:"form_build_id";s:37:"form-fe5ebd9e5e240c4294455b6b42fa6a76";s:14:"wysiwyg_status";a:1:{i:1;i:1;}} [num_revisions] => 1 [current_revision_id] => 474688 [is_current] => 1 [is_pending] => [revision_moderation] => [entity_view_prepared] => 1 ) [#items] => Array ( [0] => Array ( [fid] => 135582 [uid] => 4 [filename] => convocazione 15 novembre 2024.pdf [uri] => public://2024/convocazione 15 novembre 2024.pdf [filemime] => application/pdf [filesize] => 337988 [status] => 1 [timestamp] => 1732714290 [type] => document [field_folder] => Array ( [und] => Array ( [0] => Array ( [tid] => 2614 ) ) ) [metadata] => Array ( ) [display] => 1 [description] => ) ) [#formatter] => file_default [0] => Array ( [#theme] => file_link [#file] => stdClass Object ( [fid] => 135582 [uid] => 4 [filename] => convocazione 15 novembre 2024.pdf [uri] => public://2024/convocazione 15 novembre 2024.pdf [filemime] => application/pdf [filesize] => 337988 [status] => 1 [timestamp] => 1732714290 [type] => document [field_folder] => Array ( [und] => Array ( [0] => Array ( [tid] => 2614 ) ) ) [metadata] => Array ( ) [display] => 1 [description] => ) ) ) [links] => Array ( [#theme] => links__node [#pre_render] => Array ( [0] => drupal_pre_render_links ) [#attributes] => Array ( [class] => Array ( [0] => links [1] => inline ) ) [node] => Array ( [#theme] => links__node__node [#links] => Array ( [node-readmore] => Array ( [title] => Read more about Riunione del 15 novembre 2024 relazioni sindacali [href] => node/114663 [html] => 1 [attributes] => Array ( [rel] => tag [title] => Riunione del 15 novembre 2024 relazioni sindacali ) ) ) [#attributes] => Array ( [class] => Array ( [0] => links [1] => inline ) ) ) ) )

L’ERBARIO DI PADOVA IN VIAGGIO VERSO FIRENZE PER ESSERE DIGITALIZZATO

Array ( [field_luogo_area_stampa] => Array ( [#theme] => field [#weight] => -4 [#title] => Luogo [#access] => 1 [#label_display] => above [#view_mode] => teaser [#language] => und [#field_name] => field_luogo_area_stampa [#field_type] => text_long [#field_translatable] => 0 [#entity_type] => node [#bundle] => allegato_area_stampa [#object] => stdClass Object ( [vid] => 474687 [uid] => 8835 [title] => L’ERBARIO DI PADOVA IN VIAGGIO VERSO FIRENZE PER ESSERE DIGITALIZZATO [log] => [status] => 1 [comment] => 0 [promote] => 1 [sticky] => 0 [nid] => 114662 [type] => allegato_area_stampa [language] => und [created] => 1732714258 [changed] => 1732714258 [tnid] => 0 [translate] => 0 [revision_timestamp] => 1732714258 [revision_uid] => 8835 [body] => Array ( ) [field_allegato_area_stampa] => Array ( [und] => Array ( [0] => Array ( [fid] => 135581 [uid] => 8835 [filename] => 2024-11-27_L'erbario di Padova va a Firenze per digitalizzazione.pdf [uri] => public://2024-11-27_L'erbario di Padova va a Firenze per digitalizzazione.pdf [filemime] => application/pdf [filesize] => 331949 [status] => 1 [timestamp] => 1732714258 [type] => document [field_folder] => Array ( [und] => Array ( [0] => Array ( [tid] => 2048 ) ) ) [metadata] => Array ( ) [display] => 1 [description] => ) ) ) [field_all_imm_area_stampa] => Array ( ) [field_data_area_stampa] => Array ( [und] => Array ( [0] => Array ( [value] => 2024-11-27 00:00:00 [timezone] => Europe/Paris [timezone_db] => Europe/Paris [date_type] => datetime ) ) ) [field_luogo_area_stampa] => Array ( [und] => Array ( [0] => Array ( [value] => Padova [format] => [safe_value] => Padova ) ) ) [name] => stampa [picture] => 0 [data] => b:0; [num_revisions] => 1 [current_revision_id] => 474687 [is_current] => 1 [is_pending] => [revision_moderation] => [entity_view_prepared] => 1 ) [#items] => Array ( [0] => Array ( [value] => Padova [format] => [safe_value] => Padova ) ) [#formatter] => text_default [0] => Array ( [#markup] => Padova ) ) [field_data_area_stampa] => Array ( [#theme] => field [#weight] => -3 [#title] => Data [#access] => 1 [#label_display] => above [#view_mode] => teaser [#language] => und [#field_name] => field_data_area_stampa [#field_type] => datetime [#field_translatable] => 0 [#entity_type] => node [#bundle] => allegato_area_stampa [#object] => stdClass Object ( [vid] => 474687 [uid] => 8835 [title] => L’ERBARIO DI PADOVA IN VIAGGIO VERSO FIRENZE PER ESSERE DIGITALIZZATO [log] => [status] => 1 [comment] => 0 [promote] => 1 [sticky] => 0 [nid] => 114662 [type] => allegato_area_stampa [language] => und [created] => 1732714258 [changed] => 1732714258 [tnid] => 0 [translate] => 0 [revision_timestamp] => 1732714258 [revision_uid] => 8835 [body] => Array ( ) [field_allegato_area_stampa] => Array ( [und] => Array ( [0] => Array ( [fid] => 135581 [uid] => 8835 [filename] => 2024-11-27_L'erbario di Padova va a Firenze per digitalizzazione.pdf [uri] => public://2024-11-27_L'erbario di Padova va a Firenze per digitalizzazione.pdf [filemime] => application/pdf [filesize] => 331949 [status] => 1 [timestamp] => 1732714258 [type] => document [field_folder] => Array ( [und] => Array ( [0] => Array ( [tid] => 2048 ) ) ) [metadata] => Array ( ) [display] => 1 [description] => ) ) ) [field_all_imm_area_stampa] => Array ( ) [field_data_area_stampa] => Array ( [und] => Array ( [0] => Array ( [value] => 2024-11-27 00:00:00 [timezone] => Europe/Paris [timezone_db] => Europe/Paris [date_type] => datetime ) ) ) [field_luogo_area_stampa] => Array ( [und] => Array ( [0] => Array ( [value] => Padova [format] => [safe_value] => Padova ) ) ) [name] => stampa [picture] => 0 [data] => b:0; [num_revisions] => 1 [current_revision_id] => 474687 [is_current] => 1 [is_pending] => [revision_moderation] => [entity_view_prepared] => 1 ) [#items] => Array ( [0] => Array ( [value] => 2024-11-27 00:00:00 [timezone] => Europe/Paris [timezone_db] => Europe/Paris [date_type] => datetime ) ) [#formatter] => date_default [0] => Array ( [#markup] => Mer, 27/11/2024 ) ) [field_allegato_area_stampa] => Array ( [#theme] => field [#weight] => -2 [#title] => Allegato [#access] => 1 [#label_display] => above [#view_mode] => teaser [#language] => und [#field_name] => field_allegato_area_stampa [#field_type] => file [#field_translatable] => 0 [#entity_type] => node [#bundle] => allegato_area_stampa [#object] => stdClass Object ( [vid] => 474687 [uid] => 8835 [title] => L’ERBARIO DI PADOVA IN VIAGGIO VERSO FIRENZE PER ESSERE DIGITALIZZATO [log] => [status] => 1 [comment] => 0 [promote] => 1 [sticky] => 0 [nid] => 114662 [type] => allegato_area_stampa [language] => und [created] => 1732714258 [changed] => 1732714258 [tnid] => 0 [translate] => 0 [revision_timestamp] => 1732714258 [revision_uid] => 8835 [body] => Array ( ) [field_allegato_area_stampa] => Array ( [und] => Array ( [0] => Array ( [fid] => 135581 [uid] => 8835 [filename] => 2024-11-27_L'erbario di Padova va a Firenze per digitalizzazione.pdf [uri] => public://2024-11-27_L'erbario di Padova va a Firenze per digitalizzazione.pdf [filemime] => application/pdf [filesize] => 331949 [status] => 1 [timestamp] => 1732714258 [type] => document [field_folder] => Array ( [und] => Array ( [0] => Array ( [tid] => 2048 ) ) ) [metadata] => Array ( ) [display] => 1 [description] => ) ) ) [field_all_imm_area_stampa] => Array ( ) [field_data_area_stampa] => Array ( [und] => Array ( [0] => Array ( [value] => 2024-11-27 00:00:00 [timezone] => Europe/Paris [timezone_db] => Europe/Paris [date_type] => datetime ) ) ) [field_luogo_area_stampa] => Array ( [und] => Array ( [0] => Array ( [value] => Padova [format] => [safe_value] => Padova ) ) ) [name] => stampa [picture] => 0 [data] => b:0; [num_revisions] => 1 [current_revision_id] => 474687 [is_current] => 1 [is_pending] => [revision_moderation] => [entity_view_prepared] => 1 ) [#items] => Array ( [0] => Array ( [fid] => 135581 [uid] => 8835 [filename] => 2024-11-27_L'erbario di Padova va a Firenze per digitalizzazione.pdf [uri] => public://2024-11-27_L'erbario di Padova va a Firenze per digitalizzazione.pdf [filemime] => application/pdf [filesize] => 331949 [status] => 1 [timestamp] => 1732714258 [type] => document [field_folder] => Array ( [und] => Array ( [0] => Array ( [tid] => 2048 ) ) ) [metadata] => Array ( ) [display] => 1 [description] => ) ) [#formatter] => file_default [0] => Array ( [#theme] => file_link [#file] => stdClass Object ( [fid] => 135581 [uid] => 8835 [filename] => 2024-11-27_L'erbario di Padova va a Firenze per digitalizzazione.pdf [uri] => public://2024-11-27_L'erbario di Padova va a Firenze per digitalizzazione.pdf [filemime] => application/pdf [filesize] => 331949 [status] => 1 [timestamp] => 1732714258 [type] => document [field_folder] => Array ( [und] => Array ( [0] => Array ( [tid] => 2048 ) ) ) [metadata] => Array ( ) [display] => 1 [description] => ) ) ) [links] => Array ( [#theme] => links__node [#pre_render] => Array ( [0] => drupal_pre_render_links ) [#attributes] => Array ( [class] => Array ( [0] => links [1] => inline ) ) [node] => Array ( [#theme] => links__node__node [#links] => Array ( [node-readmore] => Array ( [title] => Read more about L’ERBARIO DI PADOVA IN VIAGGIO VERSO FIRENZE PER ESSERE DIGITALIZZATO [href] => node/114662 [html] => 1 [attributes] => Array ( [rel] => tag [title] => L’ERBARIO DI PADOVA IN VIAGGIO VERSO FIRENZE PER ESSERE DIGITALIZZATO ) ) ) [#attributes] => Array ( [class] => Array ( [0] => links [1] => inline ) ) ) ) )

Procedure selettive per ricercatori di tipo A - 2024RUA09

Array ( [body] => Array ( [#theme] => field [#weight] => 0 [#title] => Body [#access] => 1 [#label_display] => hidden [#view_mode] => teaser [#language] => und [#field_name] => body [#field_type] => text_with_summary [#field_translatable] => 0 [#entity_type] => node [#bundle] => bandi [#object] => stdClass Object ( [vid] => 474681 [uid] => 32 [title] => Procedure selettive per ricercatori di tipo A - 2024RUA09 [log] => [status] => 1 [comment] => 0 [promote] => 1 [sticky] => 0 [nid] => 114661 [type] => bandi [language] => it [created] => 1732712368 [changed] => 1732712368 [tnid] => 0 [translate] => 0 [revision_timestamp] => 1732712368 [revision_uid] => 32 [body] => Array ( [und] => Array ( [0] => Array ( [value] =>

Il documento ufficiale è reperibile all’Albo on line di Ateneo

Scadenza: 18 dicembre 2024, ore 13

Domanda telematica

 

[summary] => [format] => 2 [safe_value] =>

Il documento ufficiale è reperibile all’Albo on line di Ateneo

Scadenza: 18 dicembre 2024, ore 13

Domanda telematica

 

[safe_summary] => ) ) ) [field_bandi_chiave_web] => Array ( [und] => Array ( [0] => Array ( [value] => web_2024RUA09 [format] => [safe_value] => web_2024RUA09 ) ) ) [field_bandi_oggetto] => Array ( [und] => Array ( [0] => Array ( [value] =>

Procedure selettive per l'assunzione di n.3 ricercatori a tempo determinato, ai sensi dell'art. 24, comma 3, lettera a) della Legge 30 dicembre 2010, n. 240 - 2024RUA09

[format] => 2 [safe_value] =>

Procedure selettive per l'assunzione di n.3 ricercatori a tempo determinato, ai sensi dell'art. 24, comma 3, lettera a) della Legge 30 dicembre 2010, n. 240 - 2024RUA09

) ) ) [field_bandi_protocollo] => Array ( ) [field_bandi_scadenza] => Array ( [und] => Array ( [0] => Array ( [value] => 2024-12-18 13:00:00 [timezone] => Europe/Paris [timezone_db] => Europe/Paris [date_type] => datetime ) ) ) [field_foglia_semplice_allegato] => Array ( ) [field_bandi_data_pubblicazione] => Array ( [und] => Array ( [0] => Array ( [value] => 2024-12-04 13:00:00 [timezone] => Europe/Paris [timezone_db] => UTC [date_type] => datetime ) ) ) [field_bandi_qualifica] => Array ( [und] => Array ( [0] => Array ( [tid] => 2649 ) ) ) [field_foglia_complessa_accordion] => Array ( [und] => Array ( [0] => Array ( [nid] => 111436 [access] => 1 ) [1] => Array ( [nid] => 111441 [access] => 1 ) ) ) [field_bandi_stato] => Array ( [und] => Array ( [0] => Array ( [value] => Aperto ) ) ) [field_avviso] => Array ( ) [field_dettagli_blocco_bandi] => Array ( ) [path] => Array ( [pathauto] => 0 ) [name] => stefano.zampieri [picture] => 0 [data] => a:2:{s:13:"form_build_id";s:48:"form-WsCySmos4vAVlyFhG6gU5T7knfAyqco8LxlocSU_yIA";s:14:"wysiwyg_status";a:1:{i:1;i:1;}} [num_revisions] => 1 [current_revision_id] => 474681 [is_current] => 1 [is_pending] => [revision_moderation] => [entity_view_prepared] => 1 ) [#items] => Array ( [0] => Array ( [value] =>

Il documento ufficiale è reperibile all’Albo on line di Ateneo

Scadenza: 18 dicembre 2024, ore 13

Domanda telematica

 

[summary] => [format] => 2 [safe_value] =>

Il documento ufficiale è reperibile all’Albo on line di Ateneo

Scadenza: 18 dicembre 2024, ore 13

Domanda telematica

 

[safe_summary] => ) ) [#formatter] => text_summary_or_trimmed [0] => Array ( [#markup] =>

Il documento ufficiale è reperibile all’Albo on line di Ateneo

Scadenza: 18 dicembre 2024, ore 13

Domanda telematica

 

) ) [links] => Array ( [#theme] => links__node [#pre_render] => Array ( [0] => drupal_pre_render_links ) [#attributes] => Array ( [class] => Array ( [0] => links [1] => inline ) ) [node] => Array ( [#theme] => links__node__node [#links] => Array ( [node-readmore] => Array ( [title] => Read more about Procedure selettive per ricercatori di tipo A - 2024RUA09 [href] => node/114661 [html] => 1 [attributes] => Array ( [rel] => tag [title] => Procedure selettive per ricercatori di tipo A - 2024RUA09 ) ) ) [#attributes] => Array ( [class] => Array ( [0] => links [1] => inline ) ) ) ) )

Procedura valutativa per Professore di seconda fascia 2024PA585

Array ( [body] => Array ( [#theme] => field [#weight] => 0 [#title] => Body [#access] => 1 [#label_display] => hidden [#view_mode] => teaser [#language] => und [#field_name] => body [#field_type] => text_with_summary [#field_translatable] => 0 [#entity_type] => node [#bundle] => bandi [#object] => stdClass Object ( [vid] => 474680 [uid] => 32 [title] => Procedura valutativa per Professore di seconda fascia 2024PA585 [log] => [status] => 1 [comment] => 0 [promote] => 1 [sticky] => 0 [nid] => 114660 [type] => bandi [language] => it [created] => 1732712219 [changed] => 1732712219 [tnid] => 0 [translate] => 0 [revision_timestamp] => 1732712219 [revision_uid] => 32 [body] => Array ( [und] => Array ( [0] => Array ( [value] =>

l documento ufficiale è reperibile all’Albo on line di Ateneo

Scadenza: 18 dicembre 2024, alle ore 13

Domanda telematica

[summary] => [format] => 2 [safe_value] =>

l documento ufficiale è reperibile all’Albo on line di Ateneo

Scadenza: 18 dicembre 2024, alle ore 13

Domanda telematica

[safe_summary] => ) ) ) [field_bandi_chiave_web] => Array ( [und] => Array ( [0] => Array ( [value] => web_2024PA585 [format] => [safe_value] => web_2024PA585 ) ) ) [field_bandi_oggetto] => Array ( [und] => Array ( [0] => Array ( [value] =>

Procedura valutativa per la chiamata di un Professore di seconda fascia, ai sensi dell’art. 24, comma 5, Legge 30 dicembre 2010, n. 240, riservata a ricercatori a tempo determinato di cui all’art. 24 comma 3 lett. b) della Legge 30 dicembre 2010, n.240 nel terzo anno del contratto triennale di lavoro subordinato, a tempo determinato, stipulato con la medesima Università ed in possesso dell’Abilitazione Scientifica Nazionale ai sensi dell’art. 16 della Legge 30 dicembre 2010, n. 240 – 2024PA585 - Dipartimento di Scienze Cardio–Toraco–Vascolari e Sanità Pubblica – Gruppo scientifico-disciplinare 06/MEDS-07 - MALATTIE DELL'APPARATO CARDIOVASCOLARE E MALATTIE DELL'APPARATO RESPIRATORIO – Settore scientifico-disciplinare MEDS-07/B - MALATTIE DELL'APPARATO CARDIOVASCOLARE.

[format] => 2 [safe_value] =>

Procedura valutativa per la chiamata di un Professore di seconda fascia, ai sensi dell’art. 24, comma 5, Legge 30 dicembre 2010, n. 240, riservata a ricercatori a tempo determinato di cui all’art. 24 comma 3 lett. b) della Legge 30 dicembre 2010, n.240 nel terzo anno del contratto triennale di lavoro subordinato, a tempo determinato, stipulato con la medesima Università ed in possesso dell’Abilitazione Scientifica Nazionale ai sensi dell’art. 16 della Legge 30 dicembre 2010, n. 240 – 2024PA585 - Dipartimento di Scienze Cardio–Toraco–Vascolari e Sanità Pubblica – Gruppo scientifico-disciplinare 06/MEDS-07 - MALATTIE DELL'APPARATO CARDIOVASCOLARE E MALATTIE DELL'APPARATO RESPIRATORIO – Settore scientifico-disciplinare MEDS-07/B - MALATTIE DELL'APPARATO CARDIOVASCOLARE.

) ) ) [field_bandi_protocollo] => Array ( ) [field_bandi_scadenza] => Array ( [und] => Array ( [0] => Array ( [value] => 2024-12-18 13:00:00 [timezone] => Europe/Paris [timezone_db] => Europe/Paris [date_type] => datetime ) ) ) [field_foglia_semplice_allegato] => Array ( ) [field_bandi_data_pubblicazione] => Array ( [und] => Array ( [0] => Array ( [value] => 2024-11-28 13:00:00 [timezone] => Europe/Paris [timezone_db] => UTC [date_type] => datetime ) ) ) [field_bandi_qualifica] => Array ( [und] => Array ( [0] => Array ( [tid] => 2648 ) ) ) [field_foglia_complessa_accordion] => Array ( [und] => Array ( [0] => Array ( [nid] => 111440 [access] => 1 ) [1] => Array ( [nid] => 111441 [access] => 1 ) ) ) [field_bandi_stato] => Array ( [und] => Array ( [0] => Array ( [value] => Aperto ) ) ) [field_avviso] => Array ( ) [field_dettagli_blocco_bandi] => Array ( ) [path] => Array ( [pathauto] => 0 ) [name] => stefano.zampieri [picture] => 0 [data] => a:2:{s:13:"form_build_id";s:48:"form-WsCySmos4vAVlyFhG6gU5T7knfAyqco8LxlocSU_yIA";s:14:"wysiwyg_status";a:1:{i:1;i:1;}} [num_revisions] => 1 [current_revision_id] => 474680 [is_current] => 1 [is_pending] => [revision_moderation] => [entity_view_prepared] => 1 ) [#items] => Array ( [0] => Array ( [value] =>

l documento ufficiale è reperibile all’Albo on line di Ateneo

Scadenza: 18 dicembre 2024, alle ore 13

Domanda telematica

[summary] => [format] => 2 [safe_value] =>

l documento ufficiale è reperibile all’Albo on line di Ateneo

Scadenza: 18 dicembre 2024, alle ore 13

Domanda telematica

[safe_summary] => ) ) [#formatter] => text_summary_or_trimmed [0] => Array ( [#markup] =>

l documento ufficiale è reperibile all’Albo on line di Ateneo

Scadenza: 18 dicembre 2024, alle ore 13

Domanda telematica

) ) [links] => Array ( [#theme] => links__node [#pre_render] => Array ( [0] => drupal_pre_render_links ) [#attributes] => Array ( [class] => Array ( [0] => links [1] => inline ) ) [node] => Array ( [#theme] => links__node__node [#links] => Array ( [node-readmore] => Array ( [title] => Read more about Procedura valutativa per Professore di seconda fascia 2024PA585 [href] => node/114660 [html] => 1 [attributes] => Array ( [rel] => tag [title] => Procedura valutativa per Professore di seconda fascia 2024PA585 ) ) ) [#attributes] => Array ( [class] => Array ( [0] => links [1] => inline ) ) ) ) )

Mumble²!Comic Mathematics

Array ( [field_link_esterno_news] => Array ( [#theme] => field [#weight] => -1 [#title] => Link esterno news [#access] => 1 [#label_display] => above [#view_mode] => teaser [#language] => und [#field_name] => field_link_esterno_news [#field_type] => text_long [#field_translatable] => 0 [#entity_type] => node [#bundle] => box_lancio_news [#object] => stdClass Object ( [vid] => 474679 [uid] => 2032 [title] => Mumble²!Comic Mathematics [log] => [status] => 1 [comment] => 0 [promote] => 1 [sticky] => 0 [nid] => 114659 [type] => box_lancio_news [language] => it [created] => 1732711169 [changed] => 1732711169 [tnid] => 0 [translate] => 0 [revision_timestamp] => 1732711169 [revision_uid] => 2032 [body] => Array ( [und] => Array ( [0] => Array ( [value] =>

The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

[summary] => [format] => 2 [safe_value] =>

The Department of Mathematics at the University of Padua is organizing the exhibition “Mumble²! Mathematics in Comics” a graphic-novel journey through the history of mathematics, which will be open from November 29 to December 20, 2024, at the "Tullio Levi-Civita" Department of Mathematics in Padua.

From graphic novels to comic strips, mathematics and mathematicians have recently been central to comics. This artistic expression is increasingly recognized for its ability to convey content that is both graphic and narrative, and for its capacity to shift from playful and childlike registers (children's comics) to more abstract and conceptual ones (modern graphic novels with their wide variety of themes).

The exhibition retraces the history of mathematics through the adventures and discoveries of its protagonists. It is a journey spanning millennia, including the remarkable inventions made by Archimedes in the 3rd century BC, Galileo's scientific observations, the discoveries of Euler, Volterra, Hilbert, Levi-Civita, and many others up to the present day. These are narrated through comics dedicated to Maryam Mirzakhani and Alessio Figalli, prestigious Fields medalists.

The exhibition is open to the public from 9 AM to 7 PM, Monday through Friday. Guided tours are available for schools by reservation only.

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Traces of Pozzolan Dust from the Phlegraean Fields Found in the Venetian Lagoon

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From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

[summary] => [format] => 2 [safe_value] =>

From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

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From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

[summary] => [format] => 2 [safe_value] =>

From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

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From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

[summary] => [format] => 2 [safe_value] =>

From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

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From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, i

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From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

[summary] => [format] => 2 [safe_value] =>

From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

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From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

[summary] => [format] => 2 [safe_value] =>

From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

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From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

[summary] => [format] => 2 [safe_value] =>

From Canale San Felice in the Venice Lagoon, a particular construction material used as an additive in the production of Roman concrete has emerged: this is documented for the first time by the study "Vitruvian binders in Venice: first evidence of Phlegraean pozzolans in an underwater Roman construction in the Venice Lagoon," published in the journal PLoS ONE and led by the Departments of Cultural Heritage and Geosciences of the University of Padua, in collaboration with the Ca' Foscari University of Venice and the University of Modena and Reggio Emilia. The study originates from the underwater investigations of Ca' Foscari University of Venice on a water conservation structure from the Roman era, dating back to the 1st century AD and known as the ancestor of the "Venetian well."

Thanks to the analysis of some samples of the mortars with which the structure, now submerged at more than three meters deep in the northern stretch of the Venetian lagoon, was bound and coated, researchers from the University of Padua detected the completely unexpected presence of volcanic pumice originating from the Phlegraean Fields in Naples.

This material is described in detail by architects and treatise writers Vitruvius and Pliny the Elder as a powder (pulvis) with extraordinary properties, enabling ancient mortars and concretes to solidify in anaerobic environments and even underwater. Extracted from the area around ancient Pozzuoli (Puteoli), Latin authors recommended its use in the construction of port infrastructures made of concrete poured directly into the sea. 1,800 years before the discovery of Portland cement, pulvis puteolana gave ancient concretes exceptional resistance to structural loads, weathering, and the aggressive submerged environment, ensuring extraordinary durability that has recently revived the "myth" of Roman concrete.

pomice

The remains of the submerged "Venetian well," documented thanks to underwater 3D surveys, and the mortar samples collected.

"Our study is multidisciplinary, conducted at the intersection of archaeology, materials engineering, and geology. It first and foremost testifies to the extensive distribution network of pulvis puteolana, one of the most high-performing and therefore most sought-after construction materials in ancient markets," comment Simone Dilaria, a Venetian archaeologist, the study's first author, and a researcher at the Department of Cultural Heritage of the University of Padua, along with Giulia Ricci and Michele Secco, researcher and lecturer at the University. "It also reveals previously unknown and unpublished commercial and cultural connections between different regions of the Mediterranean: far from being a peripheral reality, the Lagoon emerges as a commercial hub tightly integrated into complex pan-Mediterranean maritime networks about 1,000 years before Venice founded its mercantile empire."

"The Venetian well is a hydraulic work used since Roman times in the upper Adriatic territories for the capture and conservation of fresh water, which we managed to document and survey underwater thanks to innovative photogrammetric technologies," add Carlo Beltrame and Elisa Costa, lecturer and researcher at the Department of Humanities of Ca' Foscari University of Venice and authors of the underwater investigations carried out under a concession from the Ministry of Culture, with the high supervision of the Superintendency of Archaeology, Fine Arts, and Landscape for the Municipality of Venice and the Lagoon.

The determination of the origin of the pulvis was made possible through sophisticated microscopic and geochemical analyses, which until a few years ago were never performed on archaeological materials but can now be conducted on rocks and minerals even when finely ground into a micrometric-sized powder thanks to the most modern laboratory technologies.

"The fingerprint of the volcanic pulvis," emphasizes Tommaso Giovanardi, a professor in the Department of Chemical and Geological Sciences at the University of Modena and Reggio Emilia, "was traced thanks to ultra-high-resolution instruments, such as Laser Ablation Inductively Coupled Plasma Mass Spectrometry, which allow us to obtain extremely detailed geochemical data even on very tiny fragments of geological material."

The profile of these small inclusions was then compared with a vast reference database created by researchers from the Departments of Cultural Heritage and Geosciences at the University of Padua, which gathers the compositional profiles of over 1,000 geological samples of compatible volcanic products. Through the comparison of chemical tracers, the compatibility with the volcanic dust from Campania was unequivocally certified.

"The research highlights, with growing attention and now consolidated awareness, the absolute centrality and indispensable necessity of exact sciences to rigorously understand and reconstruct the complex economic, commercial, and social dynamics of the ancient world," conclude Jacopo Bonetto and Gilberto Artioli, professors in the Departments of Cultural Heritage and Geosciences at the University of Padua.

While emphasizing the close connection between Northern Italy and the most advanced Roman engineering knowledge, the study finally underscores the great originality with which the ancestors of the Venetians adapted the high-profile Vitruvian architectural forms to the specific environmental and architectural needs of the Lagoon in its delicate balance between water and land.

pomice

Highlighted are the clasts of pulvis puteolana included in the mortar samples and analyzed with geochemical investigations.

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UNIVERSITÀ DI PADOVA E ITALIA NOSTRA AL BEATO PELLEGRINO

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